Monday, February 17, 2014

The Patience Stone - Sunday 23rd February 7pm

Coming hard on the heels of Wadjda (and indeed Circumstance and About Elly from last year’s festival), The Patience Stone, our film for this Sunday, (don’t forget at 7.00pm) again reflects on the position and role of women in Muslim societies.

The Patience Stone is a drama from French-Afghan director Atiq Rahimi and based on his own prizewinning novel and adapted by French screenwriting legend Jean-Claude Carriere.

It is described by The List as follows: “In an unnamed town in what could be Afghanistan, a young woman tends to her injured husband. A religious war is being fought around them, and while battling alongside his Muslim brothers the husband has taken a stray bullet in the neck. Now he is breathing and not much else; he lies staring into space, not moving and completely unresponsive. His silence prompts the woman to speak – 'You’re compelling me to talk', she says – and as the surrounding violence escalates she begins to tell him all the thoughts, resentments and deep secrets that he has never listened to during their marriage.

This is a striking and provocative film, and essential to its success is Iranian actress Golshifteh Farahani, giving a deeply layered performance as the woman. She is both liberated and falling apart, at once a victim and fiercely in control, and Farahani ensures her actions are never predictable but always believable. Her expression in the film’s final enigmatic frame is one of the best parting shots in cinema this year.




Monday, February 10, 2014

Child's Pose - Sunday 16th February 5pm

As I was researching information for the brochure this year, I realised that many of the films we had chosen had great reviews for the leading female actress. Our film this week, 'Child's Pose', from Romania, stars Luminita Gheorghiu, who adds to these reviews - 'A taut modern morality tale from Romania with a knock-out lead performance from Luminita Gheorghiu.' - David Jenkins, Little White Lies.

How far would a mother go to protect her child? How far should she go? And, underneath it all, is she really protecting herself even more? 'A spellbinding drama of social commentary and psychological realism, this caustic look into the corrupt heart of the Eastern European bourgeoisie twists into a brilliantly ambiguous study of obsessive motherly love.' - Rotten Tomatoes.

The film was Romania's nomination for the Best Foreign Film at this year's Oscars, and has already won the Golden Bear at Berlin... good film, good acting...a good night out? Let's hope so! 





Monday, February 03, 2014

Gloria - Sunday 9th February 5pm

Our film on Sunday sees a return to Chile for Gloria, a film directed by Sebastian Lelio and produced by Pablo Larrain, whose own films have been regularly screened at KFC.

The BFi website summarises the feel of the film as follows:

“The first time the viewer sees Paulina García’s Gloria at the bar of a crowded nightclub for middle-aged singles, the sound of Frecuencia Mod’s upbeat ‘Duele, duele tu amor’ (‘Your Love Hurts’) rings out. With a glass of pisco sour in her hand and her arm positioned confidently on the bar, she casts her eye around the room and then swings purposefully across the dance floor to introduce herself to a potential new partner as Donna Summer’s ‘I Feel Love’ resonates across the room. The sonic commentary offered by the two opening numbers sets the scene for Sebastián Lelio’s perceptive and entertaining study of a feisty, free-spirited 58-year-old divorcee, putting aside the pain of past relationships in her search for passion, companionship and a partner who shares her zeal for dance.”



Monday, January 27, 2014

Wadjda & Short Term 12 - Sunday 2nd February

We have two films for the price of one for you this weekend. We start with a rerun of 'Wadjda' at 2.30, after the failed run in December. In case you have forgotten, this is the first ever film made in Saudi Arabia and by a female director too. The 10 year old Wadjda does everything she can to get the bike she wants, while the society around her tries to stop her. A gentle comedy, but one with a message about the role of women in Saudi Arabia.

We'll follow this film with free drinks to keep you happy till our second film, 'Short Term 12', starts at 5.00. A popular film at many festivals, this is again about children struggling in society. This time it comes from the USA and follows the life in a foster home for troubled teenagers. Run by 20 something year olds, with problems of their own, the film gets critical acclaim for showing us the highs and lows of their lives - 'Beautifully written and perfectly played, all of human life is here; the good, the bad, the messy and the uplifting' - Ian Freer, Empire. Another of this season's female leads also gets high praise - Brie Larson plays her socks off as Grace. With 'Nebraska' filling the gap when we last tried to show 'Wadjda', this double bill looks like a great afternoon of cinema to make up for it; I hope you can make it along for both films.

Monday, January 20, 2014

Camp 14:Total Control Zone - Sunday 26th January 5pm

Google ‘Camp 14’ and one of the first hits is the BFi website and the sub heading Film of the Week. With that recommendation Camp 14: Total Control Zone will make for compelling viewing.

The text below is taken from the review by Anton Bitel:

"I sit in the room without thoughts and without really doing anything. This quietude helps me kill time. I don’t really want to think about anything."

The speaker is Shin Donghyuk, one of very few people to have escaped a North Korean death camp, making the tale that he has lived to tell of crucial importance to the South Korean government and to human-rights organisations – and of considerable curiosity value for the world’s press.

German documentarian Marc Wiese (Das Mädchen und das Foto, Kanun – The Law of Honour) turns his subject’s quietude into a filmmaking principle. Much as Shin narrates his experiences in calm, measured tones, marking his continuing anguish not with on-camera breakdowns or emotive gestures but rather with long silences and awkward expressions of discomfort, so too Camp 14: Total Control Zone adopts a hushed approach, letting Shin’s words speak for themselves and allowing their full impact to hit in the breathing spaces of his drawn-out pauses.