Saturday, August 26, 2023

Autumn Programme

We get our Autumn Programme off with a bang on September 10th with ‘And then Come the Nightjars’, based on the foot and mouth outbreak in 2001, which should raise a lot of local memories, especially as the Director is coming for a Q&A too. We have a couple of big stars for you - Penelope Cruz in ‘L’immensità’ and Isabelle Huppert in ‘La Syndicaliste’, not to mention Sigourney Weaver in ‘Master Gardener’ or Ben Whishaw in ‘Passages’. 

We always try to go around the world; this season is not quite as all-encompassing as some years, but we do manage Italy, France, Germany, South Korea, Japan, Spain and Canada outside the UK and USA. Talking of Germany, we were pleased you voted for ‘Afire’, as German films are a pretty rare thing for us. We have four films from the UK this year, which include ‘Scrapper’ - a classic Keswick film - and ‘Pretty Red Dress’ - with Tina Turner music a-plenty from Alexandra Burke and an interesting looking plot…‘Past Lives’ looks like a potential ‘Film Of the Season’ to me, with a cross-decades, cross-continents love story from South Korea and the USA. ‘Small, Slow but Steady’ might be the most unusual little film, about a deaf girl who takes up boxing to escape her isolation. Recommendation: Try to avoid reading reviews of ‘Master Gardener’ to get the best out of it… A rare 18-rated film, ‘Passages’ comes with great acting reviews...and it is 18 for a reason! ‘Brother’ looks good to us, which ‘unpacks Black grief in a way we haven’t seen often’, and we finish back in the UK with ‘Nobody Needs to Know’, set in the wild beauty of the Hebrides. Hopefully a film for all tastes here; we hope you enjoy all the ones you get to see

Sunday, May 07, 2023

Indie Films at the Alhambra

While we take our summer break, the Alhambra will be aiming to screen an indie film each week. These films will be in the usual Film Club Sunday 5pm slot, but also a Friday matinee, and late evening slot on a Wednesday, to maximise opportunities for you to see this fabulous selection.

Each feature will screen Friday 2pm, Sunday 5pm, Wednesday 8pm (or thereabouts)

Monday, March 20, 2023

Hit The Road - Sunday 26th March 5pm


Our final film of the season is HIT THE ROAD, 'Best Film' winner at the London Film Festival and made 28 in the BFI top 50 for last year.

A family is making a tense, hot, uncomfortable road trip in a borrowed car through remote north-western Iran, heading apparently for the Turkey/Azerbaijan border. The elder son is at the wheel, a quiet young guy who says little but often seems in the grip of an intense, suppressed emotion. Pantea Panahiha is excellent as his mum, sitting in the front passenger seat, bantering drily with her husband in the back: a shambling, grumpy bear of a man with a broken leg in a plaster cast and a consistent need to smoke. Next to him is a wacky 8-year-old boy who gives a glorious performance...

 Great child acting is rare: so is great adult acting, and so is great directing of children and adults. But they all come together in this lovely, beautifully composed debut feature drenched in a subtle but urgent political meaning" – Peter Bradshaw, Guardian.

Monday, March 13, 2023

Charcoal - Sunday 19th March 5:00 PM

You are very poor and desperate for more money. Your father is very ill – dying - and there is nothing you can do to help his suffering. A gangster on the run comes along and offers you money to hide in your isolated house for some time, but the deal is that he replaces your father... what would you do? This might have made a great story just like that, but director/writer Carolina Markowicz has gone one further by adding humour.

"Charcoal stands as an artistic character study, honed in on the imperfections that make people fascinating." - Josiah Teal, Film Threat

 “A sharp, specific thriller that also has a nice undercurrent of dark humor.” - Brian Tallerico, Rogerebert.com

Monday, March 06, 2023

Saint Omer - Sunday 12th March 5:00 PM

A young woman attends the trial of another woman as research for her own project, but gradually comes unstuck as her own emotional chords are struck. "Documentarian Alice Diop's narrative debut 'Saint Omer' is a visually arresting courtroom set drama that explores the similarities (and distinct differences) between two young women of Senegalese descent living in France." -Marya E Gates, RogerEbert.com.

"The standard for ‘Best of 2023’ lists has already been set." - David Jenkins, Little White Lies