Monday, February 18, 2019

Colette - Sunday 24th February 5pm


This week our film is Wash Westmoreland’s take on Colette's early life; she meets Willy, author of many (often ghost written) novels, marries him and becomes his most successful ghost-writer, before branching out on her own.
"All the affairs and scandals that a French literary genius could wish for, with the bonus of a modern heroine and a story that acknowledges the diversity that has always been with us." - Empire


Monday, February 11, 2019

Widows - Sunday 17th February 5pm


This weekend, Widows should give us all enough twists and turns and plots within plots to satisfy the best thriller-lovers, whilst also being an indictment of the US political system...all with a feminist slant. Directed by the great Steve McQueen and featuring many big stars, what’s not to like? After '12 Years a Slave', a feminist heist movie comes as a big surprise to the world, but "McQueen largely succeeds at something few directors even try: to set a satisfyingly twisty crime plot in the broader social context of political corruption and systemic racial and gender bias" - Dana Stevens, Slate.

Watch out for a  car scene with the camera facing out: "The external view is both striking and damning, turning a piece of expositional dialogue into something approaching agitprop; this is the world Veronica and her team are operating in, one where the heist has been ongoing for decades, at an institutional level. It's the clearest use of the blunt-force power of visual filmmaking I've seen in a while, in one of the best films of the year" – David Sims, The Atlantic.

"Playing like a badass big sister to the dizzy 'Ocean’s 8', this riveting thriller...fashions a female-driven heist from a heady intersection of violence, intimacy, political hypocrisy, patriarchy and power" - Sarah Stewart, New York Post.

Adapted from the Lynda La Plante TV series, we can't wait to see what it looks like with McQueen's magic touch.

Monday, February 04, 2019

Waru - Sunday 10th February 5pm


An eight year old boy - Waru - has been killed by the person supposedly caring for him. The local Maori community is devastated by the loss. The producers of Waru, Kerry Warkia and Kiel McNaughton charged eight female directors with the remit to produce a ten minute vignette each, to be shot in real time in no more than one day; put together, each vignette is a chapter in the community's reaction.
 "Joined together, the shorts are a powerful chorus of female Maori voices united in finding a way to protect all that is vulnerable" - Gayle MacDonald, Globe and Mail.