As you may have guessed from the title, this is a story about a marriage between Nora (Johannson) and Charlie (Driver), but one that is breaking up; played in flashbacks from an idyllic relationship to where Nora says "it's about to become 'a street fight', in which legality trumps love and 'genius' becomes an 'asset', the spoils of which must be divided equally" - Mark Kermode, Guardian.
Their child is at the centre of the row, especially as Nora has moved to Los Angeles from New York, and their lawyers are making it worse. This is the first of two Netflix films we have been able to get this year, which is a talking point in its own right.